Dulce. October 25th. Mexiphilipinosh (Mexican/Philipino/Spanish). 15 going on 33...or 5 in California. Christian. Straight. Broadway. Television. Comedy. Logophile. Choir kid. dancerr? Cobalt blue. French fries. Crepes. Cheeseburgers. Experienced shipper. Fanfiction writer.
Fangirl extraordinaire. I make refrences to things that nobody gets.
I am also the Queen of the Red Hot Mamas.
relevant topic I ponder on a day to day basis
What a beautiful musical.
The storyline is crazy and fucked up and absolutely perfect. The score is simple and childlike and, for a lack of a better term, naïve. I love it.
The score is basically what Dianna’s mind is; simple, childlike, naïve, probing, and full of wonder. If you get rid of all of the words and just listen to the music, you can get so absolutely attached and your heart will be ten feet off the ground and ten feet underground.
Do you know the feeling? Liberation under 10 tons of bricks. It’s like the musical The Last Five Years. In TL5Y and N2N, Jason Robert Brown and Tom Kitt have a similar message to convey: Love hurts like a bitch, but, we love anyway. And that’s why I love these musicals, other than making me feel feelings, they are beautifully tragic and so complexingly simple. I’m obsessed.