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Dulce. October 25th. Mexiphilipinosh (Mexican/Philipino/Spanish). 15 going on 33...or 5 in California. Christian. Straight. Broadway. Television. Comedy. Logophile. Choir kid. dancerr? Cobalt blue. French fries. Crepes. Cheeseburgers. Experienced shipper. Fanfiction writer. Fangirl extraordinaire. I make refrences to things that nobody gets.
I am also the Queen of the Red Hot Mamas.

monkey(s) on a speedboat

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Catching Elephant is a theme by Andy Taylor

 

I want a law made that every Broadway Production needs to make a videorecording of the show, which would be released either three years after Opening Night, or three months after the show closes, whichever comes first.

awomanontheverge:

(Source: musingsonmusicals)

TITUSS BURGESS TWEETED ME AGAIN AND LIN-MANUEL MIRANDA TWEETED ME. It is a good morning.  You can now find me in a corner of my room sobbing.
TITUSS BURGESS TWEETED ME AGAIN AND LIN-MANUEL MIRANDA TWEETED ME. It is a good morning. 

You can now find me in a corner of my room sobbing.

Magical mornings and afternoon delights

Far out friends and fantabulicious nights

Come on and sit side by side by Susan Blackwell

SIT YOUR FAT ASS DOWN

and get side by side by Susan Blackwell

perpetuallypantsless: vampiricangel: twlboaj: Anne Hathaway dressed as a dashing young man. ANNE HATHAWAY DRESSED AS A DASHING YOUNG MAN. She’s so beautiful. Shes number 1 on my ‘list of people I wished I looked like.’ *strokes screen* #send help #or alternately send dapper coats AUDRA MCDONALD GET OFF OF ANNE HATHAWAY’S FACE. ANNE HATHAWAY GET OFF OF AUDRA MCDONALD’S FACE. THERE IS A PERFECTLY GOOD RAÚL ESPARZA RIGHT NEXT TO YOU. It’s funny because this is when they did Shakespeare’s “Twelfth Night” and Anne Hathaway’s name is Anne Hathaway.

perpetuallypantsless:

vampiricangel:

twlboaj:

Anne Hathaway dressed as a dashing young man.

ANNE HATHAWAY DRESSED AS A DASHING YOUNG MAN.

She’s so beautiful. Shes number 1 on my ‘list of people I wished I looked like.’

*strokes screen*

#send help #or alternately send dapper coats

AUDRA MCDONALD GET OFF OF ANNE HATHAWAY’S FACE. ANNE HATHAWAY GET OFF OF AUDRA MCDONALD’S FACE. THERE IS A PERFECTLY GOOD RAÚL ESPARZA RIGHT NEXT TO YOU.
It’s funny because this is when they did Shakespeare’s “Twelfth Night” and Anne Hathaway’s name is Anne Hathaway.

(Source: wuthering-heights)

Megan Mullally, Matthew Broderick, and Victoria Clark in How To Succeed In Business Without Really Trying

Megan Mullally, Matthew Broderick, and Victoria Clark in How To Succeed In Business Without Really Trying

Casey Wilson as Heidi Blickenstaff in [title of show] & Now. Here. This.? Am I the only one who has thought about this? Yes? No? Okay.

Casey Wilson as Heidi Blickenstaff in [title of show] & Now. Here. This.? Am I the only one who has thought about this? Yes? No? Okay.

In all seriousness, how does the world not have an earthquake whenever Carolee Carmello unleashes her vibrato?

relevant topic I ponder on a day to day basis

HAPPY BIRTHDAY SETH & BERNADETTE! Two big Broadway Divas born on the same day…you would’ve thought that was illegal.

HAPPY BIRTHDAY SETH & BERNADETTE!

Two big Broadway Divas born on the same day…you would’ve thought that was illegal.

Next to Normal

What a beautiful musical.
The storyline is crazy and fucked up and absolutely perfect. The score is simple and childlike and, for a lack of a better term, naïve. I love it.
The score is basically what Dianna’s mind is; simple, childlike, naïve, probing, and full of wonder. If you get rid of all of the words and just listen to the music, you can get so absolutely attached and your heart will be ten feet off the ground and ten feet underground.
Do you know the feeling? Liberation under 10 tons of bricks. It’s like the musical The Last Five Years. In TL5Y and N2N, Jason Robert Brown and Tom Kitt have a similar message to convey: Love hurts like a bitch, but, we love anyway. And that’s why I love these musicals, other than making me feel feelings, they are beautifully tragic and so complexingly simple. I’m obsessed.